Saturday, September 27, 2008

Blog #4


So being that I'm a girly girl, I of course picked the Pectoral of Senusret II as my topic for this week. I love jewlery myself, especially the really big kind that can sometimes look a little tacky! Haha well anyways, I found this piece to be really beautiful and interesting. The detail is incredible, and I love the gold lining because it makes everything pop (there is a much better pic in your book!). I find it fascinating that these people from soooo many years ago were able to create such intricate jewlery. In the picture above, you can see the Two Horus falcons perched on the base, and above their heads is a pair of coiled cobras, symbols of Ra, wearing the ankh, the symbol of life. I think people who design jewlery today actually may have gotten inspiration from pieces like this, because big jewlery like this is very popular today and the concepts are very similar to the Pectoral of Senusret II.

Friday, September 19, 2008

Blog #3

So I was really interested in the article about the stolen art from Iraq. It makes me quite mad actually. I think its such a shame and total embarrassement. Its crazy what people will do for money these days! Well anyways, I decided to do some more research and I found a really interesting article ("Looted Iraqi Art Displayed Online") on Wired.com by Ryan Singel:

"A group of archaeologists and art historians are angry at the looting of Iraq's cultural heritage -- and at the U.S. government for allowing it. They're using technology to retrieve what they can find.

U.S. forces in Iraq promised to guard museums and archaeological sites and then, after the rampage, dismissed the seriousness of the crimes. At least, that's what the group that is trying to document what's missing claims.

Working to locate those treasures -- which reach back 7,000 years to the advent of civilization -- archaeologists are building a comprehensive, searchable image database of the tens of thousands of objects that are missing and presumed to be in the hands of professional art thieves.

The Lost Iraqi Heritage project is a joint effort of over 80 universities, museums and individuals working to create a tool that law enforcement, customs officials and art dealers can use to prevent the sale and export of stolen objects. The group, which is coordinated by professors at the University of Chicago, includes the Archaeological Institute of America, University of California at Berkeley and the University of Michigan.

Archaeologists say they are motivated by what they see as an unprecedented, incalculable loss.

"Imagine if Michelangelo's statue of David and the Mona Lisa and the Magna Carta and Botticelli's paintings and all the major Impressionist painters' works were in one museum that got looted," said Dr. Clemens Reichel, a research associate at the University of Chicago's Oriental Institute.

Nicholas Kouchoukos, an associate professor of anthropology at the University of Chicago who heads up the technical effort, says the project will be built in phases. The first online effort is to display images of some of the most famous pieces from the museum in order to show the extent of the losses.

Iraq's Lost Heritage will be the backbone of an extensive effort to catalog the losses, as well as to facilitate the objects' return and the rebuilding of the Iraq Museum. The first version will show only images of the museum's known masterpieces, but the organizers plan to turn it into a searchable database as soon as possible.

The effort faces severe challenges. Little is known outside Iraq about the extent of the holdings, which makes the process of learning what has been looted almost impossible.

The museum's own records were apparently destroyed in the two days of looting. Some say that was an attempt on the part of professional art thieves to cover their trail. The hope is that smashed computer hard drives can be salvaged.

But even if the information can be retrieved, Kouchoukos says the computerized records included only a small fraction of the collection -- the museum's access to software and hardware was extremely limited during the 12-year embargo against Iraq.

The database is being populated with images from published books and museum exhibition catalogs, as well as unpublished images from scholar's notes and from institutions that excavated artifacts in Iraq and documented them before turning them over to the museum.

Copyright laws also complicate the task, requiring the permission of those who have photographed these items.

Reichel, the project's coordinator, said publishing houses have granted permission to publish their copyrighted images, and museums and researchers will permit the display of previously unpublished images.

Kouchoukos says the group will watermark each image, both visibly and digitally, to make sure that copyright holders don't lose control of their images.

"We will never be able to fully recreate what was in the museum," said Reichel."

I hope you all found this article interesting too. Now I would like to change the topic to Lion Gate! I was really suprised at how much I like these lions carved from building stones so that is why I had to mention them in this blog! This actually reminds me of the gates that big mansions have. You know, the ones with the big stone lions in the front! Maybe Lion Gate was an inspiration to some architects. Just an interesting thought :)

Friday, September 12, 2008

Blog #2


The Woman from Willendorf caught my attention because it can be connected to our view of women in our society. When I say view, I mean the ideal physical body that society implies to women, usually through media. If you look at this figure you can see that it is a healthy, full woman with exaggerated curves. As the reading said, the artist may have been trying to express health and fertility. To people back then, curves seemed to be a thing of beauty. As I look through magazines and TV shows today, I don't think our media tries to send that same message of health and fertility. Today, women are praised if they are thinner, even if it they look sick or unhealthy. More and more women ask themselves if they are "too big" or "too fat" because what they see the most is other women who are thin and considered "chic." So with that said, I ask myself how did things change so drastically since the Woman from Willendorf? Why don't we also see these exaggrated curves as beautiful and healthy? Some people claim that we are beginning to accept curvier women more and more. But in my opinion, the look of being very thin is always going to be popular and implied as ideal through the media. The Woman from Willendorf really makes me think about how times have changed!

Tuesday, September 9, 2008

Me Me Meeee



This picture is kind of crazy and free. That is exactly how I would describe myself! First and foremost, I am a free-spirit who is outgoing and loves to have a good time. I am definetly not a homebody and I always look forward to the weekend so that I can go out with my friends. And maybe it is because I am that age when all you want to do is go out but I have no intention of slowing down! I am also very crazy, loud, and you never know what I might say or do! :)







This picture reminds me of my native lands. I am half Croatian and half Serbian. If you know anything about the Balkans, you know that is an interesting combo! I spent this past summer on the croatian beaches and serbian night clubs and everything in between. I absolutely love where I come from. It makes me so proud to be part of such rich historic cultures and I am definetly planning my trip for next summer.





I love this piece of artwork. How it relates to me is through love. Yes its kind of cheesey but I will say it-I am a hopeless romantic. I love everything about the idea of romance and true love. I can listen to people talk about their relationships endlessly, and like every other girl on this planet, I have thought about my wedding. And I don't even need to mention how excited I get for Valentine's Day. Yea, its a little pathetic but I am a true hopeless romantic.







Onward to my next passion. Food! This picture is something that I think we all enjoy. I mean who doesn't love chocolate? I love allllll kinds of food. And actually now that I think about it, I'm suprised that I dont weigh 800 pounds considering how much I love eating. My favorite would have to be my grandma's cooking. She makes some amazing croatian food and I wish I was nearly as talented as her. The other thing I really love about food(besides how delicious it is) is that it brings people closer together. We all come home and eat together with our families or celebrate almost all of our achievements with food. I just might even consider being a chef!







And lastly, I think this is one of my favorite paintings. Honestly the best way to understand who I am is to know that I'm a child at heart. Sometimes I still feel like I'm in the first grade running around on the playground. I don't know if I'm ready for all the responsibilities that are awaiting for me as I get older and older, and I just want to be free like a child. I love kids. I love their simplicity and honesty. That is why I chose this as one of the five artworks that explain me.